Music For Chameleons Page 10

  Addie went with me. We drove overnight, and had breakfast with Bill at a Holiday Inn. Then we visited Mrs. Garcia. Some of these snake farms are tourist attractions; but her place was nothing like that—it was way off the highway, and quite a small operation. But she sure had some impressive specimens. All the time we were there she kept hauling out these huge rattlers, wrapping them around her neck, her arms: laughing; she had almost solid gold teeth. At first I thought she was a man; she was built like Pancho Villa, and she was wearing cowboy britches with a zipper fly.

  She had a cataract in one eye; and the other didn’t look too sharp. But she wasn’t hesitant about identifying Quinn’s picture. She said he had visited her place in either June or July 1970 (the Robertses died 5 September 1970), and that he had been accompanied by a young Mexican; they arrived in a small truck with a Mexican license plate. She said she never spoke to Quinn; according to her, he never said a word—simply listened while she dealt with the Mexican. She said it was not her policy to question a customer as to his reasons for purchasing her merchandise; but, she told us, the Mexican volunteered the information—he wanted a dozen adult rattlers to use in a religious ceremony. That didn’t surprise her; she said people often bought snakes for ritualistic usage. But the Mexican wanted her to guarantee that the snakes he bought would attack and kill a bull weighing a thousand pounds. She said yes, that was possible—provided the snakes had been injected with a drug, an amphetamine stimulant, before being put in contact with the bull.

  She showed him how to do it, with Quinn observing. She showed us, too. She used a pole, about twice the length of a riding crop and limber as a willow wand; it had a leather loop attached to the end of it. She caught the head of the snake in the loop, dangled him in the air, and jabbed a syringe into the belly. She let the Mexican run a few practice sessions; he did just fine.

  TC: Had she ever seen the Mexican before?

  JAKE: No. I asked her to describe him, and she described any border-town Mexicali Rose between twenty and thirty. He paid her; she packed the snakes in individual containers, and away they went.

  Mrs. Garcia was a very obliging lady. Very cooperative. Until we asked her the important question: would she give us a sworn affidavit that Robert Hawley Quinn was one of two men who had bought a dozen rattlesnakes from her on a certain summer day in 1970? She sure turned sour then. Said she wouldn’t sign nothing.

  I told her those snakes had been used to murder two people. You should have seen her face then. She walked in the house and locked the doors and pulled down the shades.

  TC: An affidavit from her. That wouldn’t have carried much legal weight.

  JAKE: It would have been something to confront him with: an opening gambit. More than likely, it was the Mexican who put the snakes into Roberts’ car; of course, Quinn hired him to do it. Know what? I’ll bet that Mexican is dead, buried out there on the lone prairie. Courtesy of Mr. Quinn.

  TC: But surely, somewhere in Quinn’s history, there must be something to indicate that he was capable of psychotic violence?

  (Jake nodded, nodded, nodded.)

  JAKE: The gentleman was well acquainted with homicide.

  (Addie returned with the whiskey. He thanked her, and kissed her on the cheek. She sat down next to him, and again their hands met, their fingers mingled.)

  The Quinns are one of the oldest families here. Bob Quinn is the eldest of three brothers. They all own a share of the B.Q. Ranch, but he’s the boss.

  ADDIE: No, his wife’s the boss. He married his first cousin, Juanita Quinn. Her mother was Spanish, and she has the temper of a hot tamale. Their first child died in childbirth, and she refused to ever have another. It’s generally known, though, that Bob Quinn does have children. By another woman in another town.

  JAKE: He was a war hero. A colonel in the marines during the Second World War. He never refers to it himself, but to hear other people tell it, Bob Quinn single-handedly slaughtered more Japanese than the Hiroshima bomb.

  But right after the war he did a little killing that wasn’t quite so patriotic. Late one night he called the sheriff to come out to the B.Q. Ranch and collect a couple of corpses. He claimed he’d caught two men rustling cattle and had shot them dead. That was his tale, and nobody challenged it, at least not publicly. But the truth is those two guys weren’t cattle rustlers; they were gamblers from Denver and Quinn owed them a stack of money. They’d traveled down to B.Q. for a promised payoff. What they got was a load of buckshot.

  TC: Have you ever questioned him about that?

  JAKE: Questioned who?

  TC: Quinn.

  JAKE: Strictly speaking, I’ve never questioned him at all.

  (His quirky cynical smile bent his mouth; he tinkled the ice in his whiskey, drank some, and chuckled—a deep rough chuckle, like a man trying to bring up phlegm.)

  Just lately, I’ve talked to him plenty. But during the five years I’d been on the case, I’d never met the man. I’d seen him. Knew who he was.

  ADDIE: But now they’re like two peas in a pod. Real buddies.

  JAKE: Addie!

  ADDIE: Oh, Jake. I’m only teasing.

  JAKE: That’s nothing to tease about. It’s been pure torture for me.

  ADDIE (squeezing his hand): I know. I’m sorry.

  (Jake drained his glass, banged it on the table.)

  JAKE: Looking at him. Listening to him. Laughing at his dirty jokes. I hate him. He hates me. We both know that.

  ADDIE: Let me sweeten you up with another whiskey.

  JAKE: Sit still.

  ADDIE: Perhaps I ought to peek in on Marylee. See if she’s all right.

  JAKE: Sit still.

  (But Addie wanted to escape the room, for she was uncomfortable with Jake’s anger, the numb fury inhabiting his face.)

  ADDIE (glancing out the window): It’s stopped snowing.

  JAKE: The Okay Café is always crowded Monday mornings. After the weekend everybody has to stop by to catch up on the news. Ranchers, businessmen, the sheriff and his gang, people from the courthouse. But on this particular Monday—the Monday after Thanksgiving—the place was packed; guys were squatting on each other’s laps, and everybody was yakking like a bunch of sissy old women.

  You can guess what they were yakking about. Thanks to Tom Henry and Oliver Jaeger, who’d spent the weekend spreading the word, saying that guy from the Bureau, that Jake Pepper fella, was accusing Bob Quinn of murder. I sat in my booth pretending not to notice. But I couldn’t help but notice when Bob Quinn himself walked in; you could hear the whole café hold its breath.

  He squeezed into a booth next to the sheriff; the sheriff hugged him, and laughed, and let out a cowboy holler. Most of the crowd mimicked him, yelled wahoo, Bob! hiya, Bob! Yessir, the Okay Café was one hundred percent behind Bob Quinn. I had the feeling—a feeling that even if I could prove dead-certain this man was a murderer many times over, they’d lynch me before I could arrest him.

  ADDIE (pressing a hand to her forehead, as though she had a headache): He’s right. Bob Quinn has the whole town on his side. That’s one reason my sister doesn’t like to hear us talk about it. She says Jake’s wrong, Mr. Quinn’s a fine fellow. It’s her theory that Dr. Parsons was responsible for these crimes, and that’s why he committed suicide.

  TC: But Dr. Parsons was dead long before you received the coffin.

  JAKE: Marylee’s sweet but not too bright. Sorry, Addie, but that’s how it is.

  (Addie removed her hand from Jake’s: an admonishing gesture, but not a severe one. Anyway, it left Jake free to stand up and pace the floor, which he did. His footsteps echoed on the polished pine planks.)

  So back to the Okay Café. As I was leaving, the sheriff reached out and grabbed my arm. He’s a fresh Irish bastard. And crooked as the devil’s toes. He said: “Hey, Jake. I wantcha to meet Bob Quinn. Bob, this is Jake Pepper. From the Bureau.” I shook Quinn’s hand. Quinn said: “I heard plenty about you. I hear you’re a chess player. I don’t find too many
games. How about us getting together?” I said sure, and he said: “Tomorrow okay? Come by around five. We’ll have a drink and play a couple of games.”

  That’s how I started. I went to the B.Q. Ranch the next afternoon. We played for two hours. He’s a better player than I am, but I won often enough to make it interesting. He’s garrulous, he’ll talk about anything: politics, women, sex, trout fishing, bowel movements, his trip to Russia, cattle versus wheat, gin versus vodka, Johnny Carson, his safari in Africa, religion, the Bible, Shakespeare, the genius of General MacArthur, bear hunting, Reno whores versus Las Vegas whores, the stock market, venereal diseases, cornflakes versus Shredded Wheat, gold versus diamonds, capital punishment (he’s all for it), football, baseball, basketball—anything. Anything except why I’m stuck in this town.

  TC: You mean he won’t discuss the case?

  JAKE (halting in his pacing): It’s not that he won’t discuss the case. He simply behaves as though it doesn’t exist. I discuss it, but he never reacts. I showed him the Clem Anderson photographs: I hoped I could shock him into some response. Some comment. But he only looked back at the chessboard, made a move, and told me a dirty joke.

  So Mr. Quinn and I have been playing our games within a game several afternoons a week for the last few months. In fact, I’m going there later today. And you—(Cocking a finger in my direction) are going with me.

  TC: Am I welcome?

  JAKE: I called him this morning. All he asked was: Does he play chess?

  TC: I do. But I’d rather watch.

  (A log collapsed, and its crackling drew my attention to the fireplace. I stared into the purring flames, and wondered why he had forbidden Addie to describe Quinn, tell me what he looked like. I tried to imagine him; I couldn’t. Rather, I remembered the passage from Mark Twain that Jake had read aloud: “Of all the creatures that were made, man is the most detestable … the only one, the solitary one, that possesses malice … he is the only creature that has a nasty mind.” Addie’s voice rescued me from my queasy reverie.)

  ADDIE: Oh, dear. It’s snowing again. But lightly. Just floating. (Then, as though the resumption of the snow had prompted thoughts of mortality, the evaporation of time) You know, it’s been almost five months. That’s quite long for him. He usually doesn’t wait that long.

  JAKE (vexed): Addie, what is it now?

  ADDIE: My coffin. It’s been almost five months. And as I say, he doesn’t usually wait that long.

  JAKE: Addie! I’m here. Nothing is going to happen to you.

  ADDIE: Of course, Jake. I wonder about Oliver Jaeger. I wonder when he’ll receive his coffin. Just think, Oliver is the postmaster. He’ll be sorting the mail and—(Her voice was suddenly, startlingly quavery, vulnerable—wistful in a way that accentuated the canaries’ carefree songfest) Well, it won’t be very soon.

  TC: Why not?

  ADDIE: Because Quinn has to fill my coffin first.

  IT WAS AFTER FIVE WHEN we left, the air was still, free of snow, and shimmering with the embers of a sunset and the first pale radiance of a moonrise: a full moon rolling on the horizon like a round white wheel, or a mask, a white featureless menacing mask peering at us through our car windows. At the end of Main Street, just before the town turns into prairie, Jake pointed at a filling station: “That’s Tom Henry’s place. Tom Henry, Addie, Oliver Jaeger; out of the original River Committee, they’re the only three left. I said Tom Henry was a nut. And he is. But he’s a lucky nut. He voted against the others. That leaves him in the clear. No coffin for Tom Henry.”

  TC: A Coffin for Dimitrios.

  JAKE: What say?

  TC: A book by Eric Ambler. A thriller.

  JAKE: Fiction? (I nodded; he grimaced) You really read that junk?

  TC: Graham Greene was a first-class writer. Until the Vatican grabbed him. After that, he never wrote anything as good as Brighton Rock. I like Agatha Christie, love her. And Raymond Chandler is a great stylist, a poet. Even if his plots are a mess.

  JAKE: Junk. Those guys are just daydreamers—squat at a typewriter and jerk themselves off, that’s all they do.

  TC: So no coffin for Tom Henry. How about Oliver Jaeger?

  JAKE: He’ll get his. One morning he’ll be shuffling around the post office, emptying out the incoming mail sacks, and there it will be, a brown box with his very own name printed on it. Forget the cousin stuff; forget that he’s been hanging halos over Bob Quinn’s head. Saint Bob isn’t going to let him off with a few Hail Marys. Not if I know Saint Bob. Chances are, he’s already used his whittling knife, made a little something, and popped Oliver Jaeger’s picture inside it—

  (Jake’s voice jolted to a stop, and as though it were a correlated action, his foot hit the brake pedal: the car skidded, swerved, straightened; we drove on. I knew what had happened. He had remembered, as I was remembering, Addie’s pathetic complaint: “… Quinn will have to fill my coffin first.” I tried to hold my tongue; it rebelled.)

  TC: But that means—

  JAKE: Better turn on my headlights.

  TC: That means Addie is going to die.

  JAKE: Hell, no! I just knew you were going to say that! (He slapped a flattened palm against the steering wheel) I’ve built a wall around Addie. I gave her a .38 Detective Special, and taught her how to use it. She can put a bullet between a man’s eyes at a hundred yards. She’s learned enough karate to split a plank with one hand-chop. Addie’s smart; she won’t be tricked. And I’m here. I’m watching her. I’m watching Quinn, too. So are other people.

  (Strong emotion, fears edging toward terror, can demolish the logic of even so logical a man as Jake Pepper—whose precautions had not saved Clem Anderson. I wasn’t prepared to argue the point with him, not in his present irrational humor; but why, since he assumed Oliver Jaeger was doomed, was he so certain Addie was not? That she would be spared? For if Quinn stayed true to his design, then absolutely he would have to dispatch Addie, remove her from the scene before he could start the last step of his task by addressing a package to his second cousin and staunch defender, the local postmaster.)

  TC: I know Addie’s been around the world. But I think it’s time she went again.

  JAKE (truculently): She can’t leave here. Not now.

  TC: Oh? She doesn’t strike me as suicidal.

  JAKE: Well, for one thing, school. School’s not out till June.

  TC: Jake! My God! How can you talk about school?

  (Dim though the light was, I could discern his ashamed expression; at the same time, he jutted his jaw.)

  JAKE: We’ve discussed it. Talked about her and Marylee taking a long cruise. But she doesn’t want to go anywhere. She said: “The shark needs bait. If we’re going to hook the shark, then the bait has to be available.”

  TC: So Addie is a stakeout? A goat waiting for the tiger to pounce?

  JAKE: Hold on. I’m not sure I like the way you put that.

  TC: Then how would you put it?

  JAKE: (Silence)

  TC: (Silence)

  JAKE: Quinn has Addie in his thoughts, he does indeed. He means to keep his promise. And that’s when we’ll nail him: in the attempt. Catch him when the curtain is up and all the lights are on. There’s some risk, sure; but we have to take it. Because—well, to be goddamned honest, it’s probably the only damn chance we’re gonna get.

  (I leaned my head against the window: saw Addie’s pretty throat as she threw back her head and drank the dazzling red wine in one delicious swallow. I felt weak, feeble; and disgusted with Jake.)

  TC: I like Addie. She’s real; and yet there’s mystery. I wonder why she never married.

  JAKE: Keep this under your hat. Addie’s going to marry me.

  TC (my mental-eye was still elsewhere; still, in fact, watching Addie drink her wine): When?

  JAKE: Next summer. When I get my vacation. We haven’t told anybody. Except Marylee. So now do you understand? Addie’s safe; I won’t let anything happen to her; I love her; I’m going to marry her.


  (Next summer: a lifetime away. The full moon, higher, whiter now, and celebrated by coyotes, rolled across the snow-gleaming prairies. Clumps of cattle stood in the cold snowy fields, bunched together for warmth. Some stood in pairs. I noticed two spotted calves huddled side by side, lending each other comfort, protection: like Jake, like Addie.)

  TC: Well, congratulations. That’s wonderful. I know you’ll both be very happy.

  SOON AN IMPRESSIVE BARBED-WIRE FENCE, like the high fences of a concentration camp, bordered both sides of the highway; it marked the beginnings of the B.Q. Ranch: ten thousand acres, or thereabouts. I lowered the window, and accepted a rush of icy air, sharp with the scent of new snow and old sweet hay. “Here we go,” said Jake as we left the highway and drove through wooden swung-open gates. At the entrance, our headlights caught a handsomely lettered sign: B.Q. Ranch/R. H. Quinn/Proprietor. A pair of crossed tomahawks was painted underneath the proprietor’s name; one wondered whether it was the ranch’s logo or the family crest. Either way, an ominous set of tomahawks seemed suitable.

  The road was narrow, and lined with leafless trees, dark except for a rare glitter of animal-eyes among the silhouetted branches. We crossed a wooden bridge that rumbled under our weight, and I heard the sound of water, deep-toned liquid tumblings, and I knew it must be Blue River, but I couldn’t see it, for it was hidden by trees and snowdrifts; as we continued along the road, the sound followed, for the river was running beside us, occasionally eerily quiet, then abruptly bubbling with the broken music of waterfalls, cascades.

  The road widened. Sprinklings of electric light pierced the trees. A beautiful boy, a child with bouncing yellow hair and riding a horse bareback, waved at us. We passed a row of bungalows, lamplit and vibrating with the racket of television voices: the homes of ranch hands. Ahead, standing in distinguished isolation, was the main house, Mr. Quinn’s house. It was a large white clapboard two-storied structure with a covered veranda running its full length; it seemed abandoned, for all the windows were dark.